Simon Says – Plot



The windows are dirty and barely let any light inside. The warehouse floor is lined with giant shelves, and wooden crates are piled to the ceiling. A passage runs between the shelves, leading to the back. Against the back wall, a row of forklifts sit at the ready. FOUR MEN stand in a circle before the forklifts.

BENSON shifts from one foot to the other. He is a large man, and his sleeves are cut off, revealing hairy arms and a tattoo of a serpent wrapped around a dagger. He crosses his arms.

BENSON: We go through this every time. I tell ya it’s gotta be done, and you guys hum and haw over how we do it without being caught.

He looks around.

BENSON (CONT’D): We ain’t never been found out before. We ain’t gonna be found out this time.

STEPHAN has his head bowed. He has a light build. He’s wearing a hood over his head, but his red hair protrudes out above his forehead. He shakes his head.

STEPHAN: It’s different this time.

He lifts his head.

STEPHAN (CONT’D): He knows how we work. I’m telling you we can’t pull this one off.

GREG begins to laugh, and the grin on his face stretches the scar across his left cheek. He removes his glasses and polishes the small, round lenses.

GREG: You think what we do is a big secret? Everybody knows what we do. They just keep their mouths shut because they don’t want to ruin the fun.

BENSON: Exactly. We just need ta do it and stop all this here standing around.

CHARLIE: Well it is a good day for that.

CHARLIE is older than the rest of the men. He has a slight hunch and shakes a little as he stands there. The other men look at him.

BENSON: What? Have ya actually lost it this time?

Charlie steps closer to Benson and clips his heels together in a short jig.

CHARLIE: See. Me joints are feeling good today.

Benson shakes his head. Greg returns his glasses to his face.

GREG: Returning to the business at hand, I say we do it here. Why go out of our way?

STEPHAN: That’s too risky. We can’t pull it off.

Greg turns to him. TOM steps out of a break room to the left. He lifts his hand.

TOM: I figured you guys would still be jabbering away, so I took the liberty of going on without you.

Greg glances over.

GREG: You better have done it right.

STEPHAN: Yeah, I don’t need anymore heat.

TOM: Why don’t you have a look for yourself?

He gesture towards the break room.

STEPHAN: In there? That’s the worst place.

Charlie places a hand on Stephan’s shoulder.

CHARLIE: Classic. I like it.


The men step inside the break room and glance around. Streamers run along the ceiling, and balloons hover from the tables. A banner hangs across the far wall: “Happy Retirement”.

TOM: Another job well done party committee.

CHARLIE: Thank you all. I knew you’d pull it off.

STEPHAN: I figured you’d like it.

Benson and Greg shake their heads. Tom puts a party hat on Charlie’s head.

TOM: You deserve it, buddy.



Gallagher Says – The Way, Way Back

The Way, Way Back is a movie I was reading about since its release. I heard good things about it, and I thought the premise sounded like something I’d like. I was a big fan of coming of age films at the time, but I just never got around to seeing this one, until now.

The Way, Way Back is about a teenager named Duncan, played by LiamJames. He is dragged by his mother (Toni Collette) to her boyfriend Trent’s (Steve Carell) beach house. They plan on spending the summer there, but Duncan wishes to have nothing to do with any of the vacationers who spend their time there like it’s an endless party. The situation is worsened by Trent’s constant belittling of Duncan.

Duncan finds freedom in visiting a laid back water park manager, Owen. Owen is played by Sam Rockwell, and he takes Duncan on as a new employee at the park. Owen’s constant sarcasm and proddingsencourage Duncan to become a more confident person, but Duncan’s double life threatens to come between him and his mom.

This film is written and directed by Nat Faxon and Jim Rash and makes for a promising directorial debut for the pair. The story isn’t particularly original, but the way it is handled and the emotional maturity make it feel fresh. All of the characters’ interactions feel unique, and they have very individual personalities.

It could have been dull or too emotionally heavy, but all of this is balanced out by its humour. Owen provides a wonderful break from the serious parts with his immaturity and openness, and Sam Rockwell plays him perfectly. From his quick wit with the quips to his deadpan sarcasism, Rockwell gives a memorable performance. Carell also stands out. His delivery of savage put downs or two faced attitude balance a compelling and detestable father figure.

The story moves along at a good pace. It takes its time establishing the characters and settings but never hangs on something for too long. It balances the storylines of Duncan’s home life, his work life, and Owen’s growth as a person with ease. By the end of the film it left me wanting to know more about these characters and what their futures held which a testament to the depth of the world.

My Favourites from the film: The whole cast was exceptional, but Carell just stole all of his scenes. The characters felt real and had their own stories. The setting was pleasing to see and made for an interesting world.

My Less enjoyed parts: Duncan is quiet and awkward which I thought was done well and in a relatable way, but I also found some of his long pauses awkward and uncomfortable to watch. Some parts the camera was of a noticeably lower quality. Nat Faxon and Jim Rash play small parts as coworkers at the park, and sometimes it felt like they may have puffed up their roles more than wasneeded.

My Recommendation: I’d say check it out. The story is great, and the laughs are rich. It’s an indy film found by Fox Searchlight Pictures, so it’s more down to earth than your studio films. If you like it, you may want to check out some other films they found: Juno, Little Miss Sunshine, Whip It, and Napoleon Dynamite are some of my favourites.

Simon Says – The Good Old Days



BLAINE MATTHEWS is a man in his late seventies. He’s in good shape for his age. Curling a set of dumbbells, he’s seated in a plain aluminum chair. As he works out, He glances over at a picture sitting on his dresser.

The picture shows him standing beside his WIFE as she is about to cut a ribbon. The ribbon stretches in front of a lawyer’s office. Blaine looks away as a tear comes to his eye.

Blaine sets the weights down and begins to stand. He wobbles on his feet. Starting to fall, he grabs a cane from against the wall and steadies himself. He leans on his cane for a beat, catching his breath.

Once he has regained himself, he pulls a housecoat on and slips a pair of slippers onto his feet. He opens the door and glances back into his room. The sparsely furnished space is kept clean and tidy.

Blaine exits the room and walks down a hall towards a common area. As he approaches, MALORY waves at him. Blaine smiles, but Malory trips on a tear in the carpet.

Blaine rushes to reach her, but her arm stretches out. She places her hand on his shoulder. Her other arm stretches, and she uses it to stabilize herself. She looks at Blaine.

MALORY: Don’t worry about me, young man. I’ve still got a stretch to go before I’m finished.

She laughs as she passes him. Blaine shakes his head and continues on his way. He enters the common area and looks around.

ANDREW and VALERIE are napping in their chairs. HAROLD and AGNES are playing checkers. ERNEST is reclining in front of the TV. Blaine spots FRAN sitting, reading a newspaper on her lap, and knitting a scarf.

Blaine walks over to her and watches as she scans the paper. Her eyes reach the bottom of the page. She lifts her knitting higher, and a breeze blows by and flips the page on her paper. She resumes her reading.

BLAINE: Is this seat taken?

Fran glances over to the unoccupied chair beside her.

FRAN: Looks empty to me.

Blaine sits down and exhales.

FRAN (CONT’D): Winded from your walk?

BLAINE: It’s no funnier the seven hundredth time.

Fran smiles.

FRAN: Relax, you old wind bag. Let’s shoot the breeze.

Blaine shakes his head. He watches as Ernest blinks and the channel changes.

ERNEST: I was watching that, stupid.

He blinks again, and the channel changes back.

ERNEST (CONT’D): That’s more like it.

Blaine shivers as a breeze cuts through him. He shoots Fran a look as her page flips.

BLAINE: Do you mind?

FRAN: Don’t be such a gas.

She snickers.

Agnes turns away from the checker board to take a sip of water. Ernest closes his eyes and places his index fingers on his temples. The checker pieces begin to shake and lift from the board, but when he opens his eyes, he sees the pieces are held in place by vines. Glancing up, he sees Agnes’ disapproving frown. He smiles sheepishly.

Blaine leans back and stares at the ceiling.

BLAINE: Why are we reduced to this?

Fran keeps reading.

FRAN: A pleasant morning indoors?

Blaine closes his eyes.

BLAINE: Wasted potential and terrible humour.

FRAN: I make myself laugh. I like it.

An alarm bell sounds out. Blaine jumps to his feet. As he opens his eyes, he notices everyone in the room is in superhero costumes. He grins and pulls open his housecoat.

Fran laughs. Blaine glances down at his bare chest and whips his housecoat closed.

BLAINE: Damn it.

The heros rush off, and Blaine is left standing there. He spots Fran’s knitting, grabs it, and wraps the scarf around his face. He sprints after them as quickly as his cane will allow him.


Gallagher Says – A Life Less Ordinary

In my search for films by one of my favourite directors, Danny Boyle (Slumdog Millionaire, Trainspotting, and 127 Hours), I came across A Life Less Ordinary. It is the third film he ever directed and features Danny Boyle regular Ewan McGregor.

Ewan McGregor plays Robert Lewis, a man who is fired from his custodial job because he dreams of a better future and a robot can do his job for less. He ends up kidnapping his boss’s spoiled daughter. Cameron Diaz plays the daughter, Celine Naville. Robert’s innocent nature betrays him in this endeavour, but Celine is there to teach him how to be a professional kidnapper.

The film has a bookend plot with celestial beings being sent to aide in a romance. Holly Hunter and Delroy Lindo play angels O’Reilly and Jackson, respectively. During the course of the film, they take on the role of bounty hunters sent by Celine’s father to rescue her, but they always have their own motives.

When I bought this film, I figured it’d be an okay Danny Boyle film. Something along the lines of The Beach that doesn’t quite live up to his better films. I was pleasantly surprised. While its not as good as Slumdog Millionaire or Trainspotting, it was a very enjoyable ride.

With the weird concept and it’s backwoods style, I couldn’t help thinking it was a better Coen film than Raising Arizona was. I couldn’t help laughing at the ridiculous concept of a kidnapper asking the kidnapee about how to properly pull it off. Ewan McGregor does a great job of grounding this into a relatable performance.

I found the cast in this was very hit or miss. McGregor was great, but Diaz was very inconsistent. She seemed intriguing and engaging is some scenes then felt very wooden and bland in others. Lindo’s role didn’t have much, but he was good in the moments he got. Hunter was fun and provided a very unhinged performance. The thing that bothered me was the high-pitched voice she used. Ian Holm and Stanley Tucci were enjoyable as Celine’s father and ex, respectively.

My Favourites from the film: The craziness of the film made for a fun ride, and Diaz’s scenes teaching McGregor how to kidnap were great. It was the first film I’d seen by Danny Boyle that didn’t have any extreme stylistic choices, so that made it easier to get behind the weird concept. The stop-motion end titles sequence was a pleasure to watch.

My Less enjoyed parts: Aside from the issues I had with the performances, the main problem was some of the angel scenes that were a bit too far out there or distracting. The accents threw me off, so I was never quite sure where it was all supposed to be taking place. It hits a bit of a slump before the third act.

My Recommendation: If you’re looking for an odd, small scale comedy, I’d say pick this up. Be ready for something weird and inconsistent. Don’t expect it to follow a contemporary story structure. I would definitely suggest it for fans of the CoenBothers or David O. Russell.

Simon Says – Life Hacks



The curtains are drawn, and the room is cloaked in darkness. The bed is in disarray. The only thing organized in the room is a desk with a computer on top.

In the glow of the monitor, ADAM is seated. He is in his mid teens. A scrawny guy, Adam bends over the keyboard, typing furiously.

A knock sounds at the door. Adam spins around in his chair.

ADAM (yells): I’m up, mom. Jeez!

He looks at his computer monitor. The door creaks open a crack. SUSAN peeks inside. Adam glances over his shoulder.

ADAM (CONT’D): Oh, it’s you.

He starts typing again. Susan walks over to Adam’s bed and clears the corner. She lowers herself onto the very edge of the bed.

SUSAN: So what’s the plan for today?

ADAM: Honing my hacking skills.

Susan checks her phone.

SUSAN: And this isn’t just another useless skill because?

Adam releases his keyboard and turns to look at her. Looking up from her phone, Susan meets his gaze.

ADAM: Because reasons.

Susan rolls her eyes.

SUSAN: And you wonder why you’re failing English.

Adam resumes his attack on his keyboard.

ADAM: It’s a stupid subject. I speak English. I talk good. Why am I forced to waste my time on some meaningless drivel?

Susan walks over to his desk and stops beside him.

SUSAN: And hacking is your fallback for when you find out colleges don’t accept people with grades like your’s?

ADAM: You may think it’s dumb now, but after I break the school’s system and correct my grades, we’ll see who’s laughing then.

Susan looks from Adam’s face to his monitor.

SUSAN: So why are you on Facebook?

ADAM: Baby steps.

He leans back in his chair and cracks open a can of Mountain Dew. Sipping it, he watches as Susan looks over what he’s done.

ADAM (CONT’D): I figure if I can hack Facebook and change Sylvia’s relationship status to being in a relationship with me, she’ll be too embarrassed to change it and be forced to go out with me.

Susan shakes her head as she sits on the edge of his desk and crosses her arms.

SUSAN: I’m going to ignore the completely bone headed part of that and address the fact that you think our school servers are harder to hack than a billion dollar company’s.

She picks up a paperclip and flicks it at him.

SUSAN (CONT’D): You’re an idiot.

Adam chokes on his drink. He sets his can down, sitting up straight. Catching his breath, he glares at Susan.

ADAM: I wouldn’t expect some narrow minded drone like you to recognize my plan’s brilliance.

He turns back to his keyboard and begins to type again.

ADAM (CONT’D): I’m sure you can find your way out.

Susan glances from the back of his head to the door. Rolling her eyes, she crosses the room and stops at the door. She turns back to him.

SUSAN: You should worry less about the people who don’t want to be around you.

She opens the door.

SUSAN (CONT’D): Maybe then you’ll have time for the people who do want to be around you.

Adam turns, but Susan is already gone. He looks at his monitor.

ADAM: We’ll see about that.

He switches from Sylvia’s page to Susan’s


DING! Susan pulls her phone out. She just got a Facebooknotification. She looks up at Adam’s curtained window and smiles.


Gallagher Says – Corner Gas The Movie

I have loved the Canadian sitcom, Corner Gas for a number of years now. This year I also got my family to watch it, and they enjoy it as well. It was then an easy decision to purchase Corner Gas the Movie.

The movie takes place a number of years after the end of the show. The residents of Dog River are the same as ever, but some bad investments with the town’s money have brought it to a state of financial crisis. The only apparent solution is to enter the town into the quaintest town in Canada contest and use the prize to solve their problems.

Many complications present themselves as Lacey tries to pull the town together to save their home. Brent appears to be indifferent to the town’s collapse. The power flickers on and off as their unpaid bills pile up. The water pump is going, and the last straw is the closing of the bar.

They open with my own personal weakness. A scene of the ending then the movie builds towards it. Sometimes this can be a problem because the audience now knows exactly where the movie is going, but I found they did it well enough that I was questioning how it could possibly get to that point right up to the point itself.

As with the show, the humour is very sarcastic and deadpan. I found the humour connected with me, and there were a number of times that I laughed out loud. The drawback I can see with a comedy like this is that a number of the jokes rely on its location, a small town in the Canadian prairies, so it may not be relatable to all demographics. I’m not from the prairies, but I’ve grown up in the country. So I’m not sure how the story connects with audiences that have grown up in the city.

The main problem with a sitcom adapting to a movie is whether or not the material can be effectively adapted to a full runtime of an hour and a half. This is basically carrying one story for the same length as four episodes. The story that is setup lends itself to be a good way to keep an audience engaged for that length of time. That being said, there are a couple of subplots and a bit of a long opening to help get to that length, so it’s not perfect but a good and mostly effective attempt.

My Favourites from the film: The whole cast and a large part of the creative team return which is a wonderful thing to view. The humour still hits home, and every character had an interesting and engaging place in the story. The evolution of the story and characters to this point felt logical. The story was well written. The photography was beautiful.

My Less enjoyed parts: Some of the story elements were overplayed while others were underplayed. Wanda’s antics in Davis’ man cave start to drag and lose steam halfway through the film. Karen’s pregnancy felt out of place and really didn’t add to the story. The whole lawsuit plot point is kind of just brushed aside.

My Recommendation: This is a great film for fans of the series and makes them feel like they never left. It’s a fun small town, indy style comedy. If you haven’t heard of Corner Gas before, I’d suggest checking out the first season to start.

Simon Says – Heart of Gold



ANGELA works behind the counter as she prepares two coffees. She’s in her mid twenties with brown hair. She turns back to an ELDERLY COUPLE.  They take their drinks and walk away.

Angela looks to see if anyone else is waiting, but the line is empty. SANDRA Walks over to her and bumps her elbow. Angela turns, but Sandra just grins at her.

SANDRA: I’ll let you handle this next one.

Sandra walks to the back. Angela glances around then spots TWO YOUNG MEN outside the door. She pushes a stray lock of hair behind her ear as they enter.

MICHAEL continues towards the counter, but GREG stops at the door and looks over the tables. He makes eye contact with the elderly men. They stare at each other for a beat then Greg turns away.

Michael reaches the counter. Angela smiles at him.

ANGELA: The usual?

Michael nods then raises his hand.

MICHAEL: Oh, and black coffee for my friend.

Angela nods and rings it up. Michael pulls out his wallet.

GREG: Are you going to chat up the coffee girl all day, or do you want to get to business?

Michael looks back as Greg lifts a briefcase. Shaking his head he turns back to Angela and passes her the money.

MICHAEL: Did you want that coffee, or what?

ANGELA: Don’t worry about it. I can bring the drinks to your table.

Michael nods and walks over to Greg. Greg points to a the table closest to the door.As Michael sits, Greg glances around again.  He drops into the seat across from Michael, leaning in close.

GREG: You think this place is right for this type of business?

Michael glances around as he leans back.

MICHAEL: Would you rather an alley?

Greg exhales.

GREG: Whatever. Are you in?

Michael rubs his temple. He opens his mouth, but Angela arrives with their drinks.

ANGELA: Here you guys go. Enjoy.

Michael smiles at her as Greg drops his head into his hand.

MICHAEL: Thanks, Angela.

Greg stands and shoos Angela.

GREG: Yeah, thanks. Now go. We’re busy.

Michael stands.

MICHAEL: You really have a way with people. Don’t you? Is this why you need to bum a last minute flight off a friend?

Greg lifts the briefcase onto the table.

GREG: I need your plane because I…

He leans in closer.

GREG (CONT’D): (quieter) I’ve got thirteen million dollars in this case. Do you want a piece or not?

Angela’s mouth drops open, and she looks from Greg to Michael.

MICHAEL: You’re insane.

GREG: Ha. You want to fly a bunch of idiot tourists around for the rest of your life. I’m the crazy one?

MICHAEL: You’ll get caught.

GREG: We’ll see.

He gestures to the table.

GREG (CONT’D): Enjoy your coffee.

He turns and walks out. Angela stares after him then turns to Michael.


Michael shrugs.

MICHAEL: I like it here.

He looks down at the table.

MICHAEL (CONT’D): You like your coffee black?

Angela shakes her head. Michael shrugs and sits down. He lifts his coffee. Angela grabs the other coffee.

ANGELA: But I can add cream to it.

Michael smiles.

MICHAEL: What time do you get off work?


Gallagher Says – Raising Arizona

I found Raising Arizona when looking through DVDs. It caught my attention because Nicolas Cage is in it, and I’ve been watching a lot of his films lately: The Wicker Man, Vampire’s Kiss, and Face/Off. I decided I needed to see it when I saw that it was an early Coen Brothers film.

Raising Arizona tells a tale of a criminal marrying the officer who takes his mug shots and their attempts at living a normal life. This is all ruined when they find out they can’t have children and his criminal record is preventing them from adopting. They resort to the only option remaining. Kidnapping.

Nicolas cage plays H.I. McDunnough, the ex-convict who has a partiality to robbing convenience stores. Holly Hunter plays Ed, his wife a former police officer. John Goodman and William Forsythe play escaped convicts who pay them a visit, and Sam McMurray and Frances McDormand play neighbours with an unruly batch of kids.

From the premise down to the execution, this film is a ridiculous and wacky ride. This is both its strength and it’s weakness. When it makes you laugh at its leads’ antics, it’s a fun ride. When the pacing begins to drag or the scene doesn’t get you, its a bore. It also means you can’t take the story seriously or empathize with the characters, so if the jokes don’t work, you’re left with nothing.

The co-stars are what made it for me. When Glen and Dot visit with all their kids, the crazy and characters mesh well for a comedic scene that feels more grounded. The pair of escaped convicts steal all their scenes with their over-the-top stupidity and caricature of the redneck criminals. Randall “Tex” Cobb also makes a fine addition as a mysterious, dark manhunter.

The film feels like a compilation of skits. Some of them are funny, some weird, some too long, and some boring. The problem comes when you look at it as a whole, and you realize it’s a flimsy excuse to drop you into weird and inconsequential world.

My Favourites from the film: It has plenty of great, cutesy moments with the baby. The scenes with action in them are a great balance of comedy and thrills. The Coen Brothers do a great job of creating a world, and their dialogues between the characters are enjoyable.

My Less enjoyed parts: I think the film falters most on its leads, both from acting and writing. The characters never grabbed me as interesting or relatable enough for me to care about them. Nicolas Cage felt too restrained for the setting, which is odd considering his other films, and Holly Hunter was basically just a plot device.

My Recommendation: I can see inspirations for the Coen brothers’ later films in this one, and I feel you’d be best to just skip this one and get to them. If you’re a fan of theirs and need another film to sink your teeth into, it’s not bad. It’s a decent B-movie comedy.

Simon Says – A Dark Business



SIR ROBERTS paces in front of the long table. Seated on one side is MARTIN and THOMAS. Across from them sits GLORIA.

MARTIN: Are you ever going to tell us why we’re here after hours?

Sir Roberts holds up his hand. They all listen. The SOUND of foot steps hurrying along the hall enters the room. Sir Roberts walks over to the door and swings it open.

HUNTER runs inside. He’s younger than the rest, and his suit is in disarray. He stops and glances around the room. Furrowing his brow, he looks to the head of the table.

HUNTER: Has Sir Roberts not arrived yet?

Sir Roberts swings the door closed. Hunter jumps and turns to him.

SIR ROBERTS: I’m glad we could all make it.

Sir Roberts walks around to the head of the table. He motions Hunter to sit. Hunter darts over to the seat beside Gloria and sits.

SIR ROBERTS (CONT’D): Tonight I’ve gathered you all here to discuss a very simple matter.

He glances around the table, looking each in the eye.


Gloria rolls her eyes. Thomas strokes his beard. Hunter glances around the room.

MARTIN: Are we really doing this?

He props his head up with his hand and stares past Sir Roberts.


Sir Roberts takes his seat. He tosses a couple of documents down the table. Gloria picks one up and looks it over. The other slides to Martin. He snorts, brushing it away. Picking it up, Hunter looks it over. He looks up to Sir Roberts.

HUNTER: You monitor our emails?

Thomas chuckles and holds a hand out to calm Hunter.

THOMAS: Just the underling’s emails.

GLORIA: We’re all Sir Roberts’ underlings.

She glances over the document to Sir Roberts. Sir roberts shrugs as the rest of the board members look to him.

MARTIN: This is getting out of hand.

He stands.

MARTIN (CONT’D): Either this insanity ends, or you can accept this as my resignation.

Sir Roberts holds up his hands.

SIR ROBERTS: I must confess to withholding some information. I had hoped to spare some of us embarrassment, but if you insist, here.

He slides another document across. Everyone reaches for it, but Gloria gets it first. She looks it over then glances to Martin.

GLORIA: You’re an idiot.

She drops the document, and Martin snatches it up. Thomas stares up at him. Martin glances at it. Tossing it to the floor, he walks over to a side table with a coffee maker on it. He pours himself a drink and turns to them.

MARTIN: It doesn’t prove anything. It was a joke. A bit of nonsensical banter.

Thomas picks up the document and looks it over. He pales.

SIR ROBERTS: I suppose I may have taken your murder plot out of context.

Martin sips his coffee.

MARTIN: Of course you did. You’re a paranoid, old coot.

Sir Roberts turns to Thomas.

SIR ROBERTS: Do you agree?

THOMAS: Yes. Well, save the old coot part.

Gloria drops her hands to the table.

GLORIA: As much fun as this is, I’d like to go home and sleep. You have your culprits. Let Hunter and me go home.

SIR ROBERTS: You’d like that. Wouldn’t you? Did you have the room rigged with explosives? Or maybe just the table.

He checks under the table but doesn’t see anything.

SIR ROBERTS (CONT’D): Never mind. No one leaves till I figure out which of you wants my chair. Then I can figure out who should stay and who should go.

Martin finishes his coffee, crushes the cup, and drops it into the garbage can. He raises his hand.

MARTIN: I vote I go.

SIR ROBERTS: Very well.

He lifts a pistol and shoots Martin. Martin flies back and lands face down onto the coffee maker.His body slides of the table, taking the coffee maker with it. Coffee spills across the floor.

SIR ROBERTS (CONT’D): Damn. I just made that pot.

He turns to everyone else in the room. They duck as his pistol passes over them. He looks down at it and shrugs, returning it to his pocket.

SIR ROBERTS (CONT’D): Anyone want a fresh pot of coffee made up?

No one answers.

SIR ROBERTS (CONT’D): Well, I’d like one. Hunter, would you be so kind as to make up another?

Hunter lifts himself from his seat and walks over to Martin’s body. He crouches down and reaches for the coffee maker. Glancing at Martin’s face, he sees the eyes staring at the ceiling.

SIR ROBERTS (CONT’D): Hurry up. We don’t have all night.

Martin picks up the coffee maker and exits the room. Sir Roberts turns to Gloria and Thomas.

SIR ROBERTS (CONT’D): Some of us have even less time than the others.


Hunter steps inside the kitchen. He walks over to the sink and begins to fill the coffee pot.

BANG! BANG! Hunter freezes at the sound of the gunshots. The coffee pot falls from his hand and smashes in the bottom of the sink.

The door opens behind him. Hunter whirls around as Sir Roberts enters.

SIR ROBERTS: Thank you for forwarding those emails to me, kid.

He holds his arms out and steps closer. He stops, his eyes widening. He glances down at his stomach. A knife handle protrudes from his belly.

He looks into Hunter’s eyes. Hunter steps forward, pulling the knife out. He stabs Sir Roberts again as he brings his face beside Sir Robert’s ear.

HUNTER: You’re a fool as well as paranoid.

He pulls the knife out.

HUNTER (CONT’D): A deadly combination.

Sir Roberts falls to the ground as Hunter makes a phone call.

HUNTER (CONT’D): Come quick. Something horrible has happened.